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He’s no Hollywood pretty boy-though he looks exceptionally good in a suit or behind the wheel of a luxury car-and there’s an elegant simplicity to his usual wardrobe of tactical turtlenecks and designer shades. Though he’s become a style icon on his own terms, Statham’s look is rough-cut, relaxed and decidedly working class. There’s something to that, even now, as Statham looms large as one of the biggest action stars on the planet. “His look is just right for now-very masculine and not too male-modelly.” “We chose Jason because we wanted our model to look like a normal guy,” explained Lilly Anderson, a French Connection spokesperson. Such is Statham’s authority as an action star that the laws of physics seem to rewrite themselves around him.Īs for the modeling, consider Statham’s stylish turns in heist thrillers like The Bank Job, where his bulging biceps are offset by a sterling charisma that extends to his classy (but rarely elitist) wardrobe. But he’s been most successful in showcasing his diving abilities in the deliriously steroidal Mechanic: Resurrection, where he both executes a truly flawless cliff dive and leaps from a gondola, through the air, to catch the back of a passing hang glider.
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It’s not that difficult to imagine a guy with his suavity and acrobatic grace thriving in either occupation, though Statham’s made it even easier on us.Ĭapitalizing on his comfort in the deep, the Transporter franchise features multiple extended underwater sequences while in The Meg, his freestyle is on full display as he cuts through water like a knife or treads it while aiming a harpoon at a marauding super-shark. South Londoner Statham had careers as both a competitive diver and a male model before he became an actor, which might account for the remarkable poise he brings to both heart-in-mouth stunts and more brooding dramatic moments. There’s a blank-slate quality to Statham, stripped to its most elemental form in Wrath of Man, that has allowed him to channel everyone from Charles Bronson to Jet Li without betraying his own brash, bare-knuckle sensibility. That’s in no way intended as faint praise: Maintaining Statham’s air of devil-may-care viability and deceptive pathos takes hard work and discipline, and he’s remained high on any respectable list of Hollywood’s most in-demand action stars through establishing a definite (if not restrictive) groove for himself. Key to Statham’s appeal is his profound authenticity, the as-of-yet unbroken promise to both his directors and his audience that what you see is what you get. Merging the unflappable masculine cool of screen archetypes like Steve McQueen and Paul Newman with a distinctly ‘80s muscularity and more postmodern willingness to wink at his own legend, he’s emerged across the past 23 years as a fixture of global action cinema, enduring as if carved from granite. Luckily, audiences could never say the same writ large for Statham, whose careful balance of ferocity and flair has turned him into an action hero built to last.
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“I’m starting to worry he’s a psychopath,” laments office manager Terry (Eddie Marsan) after H executes an entire team of would-be robbers.
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Statham’s character in Wrath of Man skews several degrees more sinister. Watching him pump bullet after bullet into terrified adversaries with an automaton’s precision, it’s certainly terrifying to look into Statham’s eyes and find them coldly blazing, with nary a trace of the swaggering smarm that defined his early roles in Ritchie’s breakout films Lock, Stock and Two Smoking Barrels (also Statham’s acting debut) and Snatch (where global audiences first encountered the actor’s tough, sneering style). Indeed, as Wrath of Man broadens its scope, emerging more brutal and despairing by the minute, one begins to question whether H could actually be hell-sent.
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It’s one of Statham’s most bruising performances yet in what’s surely Ritchie’s meanest movie to date-the actor’s shaved head and perennial stubble bathed in such luxuriant gloom, literal and figurative, that it makes sense when one character refers to him as “a dark spirit.” As the mysterious H, a recent hire at an armored car depot, the actor exudes grim determination and coiled menace long before Ritchie shows us the character’s true face (which, without spoilers, is contorted in rage and dead-set on revenge). In Guy Ritchie’s thunderous new crime-noir Wrath of Man, Jason Statham delivers another masterclass in brute-force macho, albeit one that trades out his zealous madcap for a more foreboding kind of fury.